An international scholarly online history journal on First and Second Empire subjects: articles, bibliographies, book reviews, in english and in french


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  •  REMONTONS LES CHAMPS-ÉLYSÉES (Let's go down the Champs-Elysées), by Sacha Guitry - 1938


 Country : France

 Medium : Black and white

 Duration : 97'

 Video : Canal+ Vidéo - 1993

 Production : Cinéas (Serge Sandberg)

 Scenario : Sacha Guitry

 Screenplay : Sacha Guitry

 Music : Adolphe Borchard

 Director of photography : Jean Bachelet assisted by Raymond Voinquel

 Plot : In a classroom, a teacher decides to try to interest his difficult pupils by teaching not the history of France but tales of the Champs-Elysées. He tells of how this was the exact place where Louis XIII decided the death of Concino Concini; of how it was that at the head of this grand avenue a great statue was erected in honour of the much-beloved Louis XV; of how Bonaparte prepared his Brumaire coup d'état in the side-streets of this avenue; and of how, during his investiture, Napoleon III came down the Champs-Elysées to receive the acclamation of a jubilant crowd.

 Cast : Louis Allibert (Bonaparte) ; Émile Drain (Napoleon I) ; Madeleine Foujane (Marie-Louise) ; Philippe Richard (Louis XVIII) ; Sacha Guitry (Napoleon III et Louis XV) ; Raymonde Allain (Eugénie) ; Pierre Juvenet (the Duc de Morny) ; Lucien Baroux ; Jeanne Marken ; Jacqueline Delubac ; Jean Périer ; Jeanne Boitel ; Mila Parély ; Lisette Lanvin

 Extract : « The teacher. - And here is the Second Empire. For me the Second Empire is a waltz. But let's look at the famous Mabille Ball. The whole of Paris flocked to it. There was singing, dancing and brawling. »

 Review : Using the five generations of men of the same family who worked the Champs-Elysées as a leitmotiv, Sacha Guitry presents the viewer with 90 minutes of light-hearted entertainment as he recounts the different stories concerning "the most beautiful avenue in the world". The scenario passes through many different epochs but remains captivating throughout. This is excellent theatrical cinema with some fine moments of cinematic imagination.



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