An international scholarly online history journal on First and Second Empire subjects: articles, bibliographies, book reviews, in english and in french


Magazine and News is a place where, every day, we bring you not only what’s going on in the Napoleonic world and interviews with those leading Napoleonic history today, but we also offer you Napoleonic pastimes, entertainments, and even recipes. Enjoy!

Latest updates :

Bon appetit! : Turkey in the form of a turtle
Interview : Alexander Mikaberidze on Russian Voices of the Napoleonic Wars
Sites, musées et monuments : Musée des Lettres et Manuscrits (Brussels)
anglegauche angledroit


 1960 to the present day

  •  LE GUEPARD (The Leopard), by Luchino Visconti - 1963


 Country : Italy / France

 Medium : Technicolor

 Duration : 185'

 Video : Film Office

 Production : Pathé / Goffredo Lombardo / SGC / Titanus

 Scenario : Luchino Visconti, Massimo Franciosa, Enrico Medioli, Suso Cecchi d'Amico and Pasquale Festa Campanile after Giuseppe Tommasi di Lampedusa

 Screenplay : Luchino Visconti

 Music : Nino Rota et Giuseppe Verdi

 Director of photography : Giuseppe Rotunno

 Plot : After having beaten the Austrians at Varese and Brescia, Garibaldi's camicie rosse took Siciliy in 1860. This expedition of the Mille was to change the social and political face of Southern Italy for ever. For the noble line of the Salinas, a patrician family in Palermo, the fall of the King of Naples, Francesco II, was to coincide with the end of ducal privilege and the taking of political power by the middle classes. But the marriage of the Duke's nephew Tancredi (who had joined the revolutionary troops) to the daughter of the new mayor Sedara makes it possible to save face.

 Cast : Burt Lancaster (Fabrizio Salina) ; Alain Delon (Tancredi) ; Claudia Cardinale (Angelica) ; Paolo Stoppa (Sedara) ; Serge Reggiani ; Romolo Valli ; Leslie French

 Extract : « Fabrizio. - Why are you dressed like that ? What are you doing ? Going to fancy-dress ball at this time of the morning ?
Tancredi. - I'm going, uncle. In an hour's time. I've come to say goodbye.
Fabrizio. - Goodbye ? Why ? It's not a duel, is it ?
Tancredi. - Yes ! The greatest of duels - one with the King of Naples, with Francesco the not-so-Great. I'm going into the hills at Ficusa. Great things are in the making and I don't want to sit here at home with twiddling my thumbs - where, what is more, they will catch me straightaway.
Fabrizio. - You are mad to go along with men like that. They are bandits - a rabble. A Falconeri should be with us, for the King.
Tancredi. - For the King, I agree. But which King ? Can you tell me that ? For the King who wants to unify Italy, yes. But for Little Francesco, God bless him, no, uncle, no !
Fabrizio. - So you think that the King of Piedmont, the one they call the honest man, is better than the other, do you ? It's simply Torinese in place of Napolitano, that's all !
Tancredi. - Believe me, uncle, if we don't get involved in the business, they will create a republic in less than no time. I'll be back soon, uncle. And I shall bring the tricolore.
Fabrizio. - The tricolore - I see you're full of expressions like that. Red and green instead of our fleur-de-lys on its spotless background. What can you possibly hope for from this mixture ? »

 Review : Chronologically speaking Visconti's masterpiece Il gattopardo comes after Senso but before Death in Venice and Ludwig and in it he sets the slow moral decay of the aristocratic Salina family against the background of national tragedy. It is in the famous, 'end of an epoch' ball-scene, at which an engagement is celebrated, where all the characters are confronted with theirs and Sicily's destiny, to the accompaniment of a slow waltz. At the same time as Napoleon III hands over the rest of the transalpine territory to Vittorio Emanuele, Prince Salina (Burt Lancaster) witnesses the political parties coming head to head in the small village of Donnafugata. The marriage of Tancredi (Alain Delon) to the proud and independent Angelica (the unforgettable Claudia Cardinale) gives the aristocratic past of the region a chance to build a future. The film was to have extraordinary success and was awarded the Palme d'Or at the Cannes Festival of 1963. Famously, it took forty days and more than one hundred stage technicians to shoot the ball scene.



Back to the home page

Return to the top section




Top of the page

Bulletin | My | Site Map | Contact us | Add to your favourites | Legal | ISSN 2272-1800