WATKIN David (ed.), HEWAT-JABOOR Philip (ed.),
Thomas Hope: Designer and Patron in Regency London
© Yale University Press
About the catalogue:
The son of the wealthiest merchant bankers in Europe, Thomas Hope (1769-1831) was a major catalyst in the arts of Regency England. At the age of 18, he embarked on a Grand Tour to the Continent and started to assemble the remarkable art collection that he later installed in his Duchess Street house in central London. Hope's remodeling and interior decoration of that house fostered what became known as the Regency.
This book is the most comprehensive study to date of Thomas Hope, focusing on his multifaceted role as designer and patron. The contributors examine his wide-ranging contribution to the arts as well as his extensive writings. Richly illustrated with new photographs, the volume presents a vast array of paintings, furniture, sculpture, and works of art, many of which have never been published before.
Thomas Hope: Designer and Patron in Regency London
Eds. David Watkin & Philip Hewat-Jaboor
Co-Curators: Philip Hewat-Jaboor & Daniella Ben-Arie
- Foreword, by Susan Weber Soros
- Introduction and Acknowledgements, by David Watkin
- Family Tree and Chronology, by Daniella Ben-Arie
- European Wealth and Ottoman Travel, by Dr. Philip Mansel
- The Reform of Taste in London: Hope's House in Duchess Street, by Prof. David Watkin
- Critic and Historian: Hope's Writings on Architecture, Furniture, and Interior Decoration, by David Watkin
Part 1. Household Furniture and Interior Decoration
Part 2. The Dowing College Controversy and the Greek Revival
Part 3. An Historical Essay on Architecture
- Thomas Hope's Furniture: "A Delightful and Varied Significance of Shape and Embellishment", by Frances Collard
- Fashion a L'Antique. Thomas Hope and Regency Dress, by Dr. Aileen Ribeiro
- "Character, Pleasing Outline, and Appropriate Meaning": Thomas Hope's Metalwork for Duchess Street, by Martin Chapman
- The Past as a Foreign Country: Thomas Hope's Collection of Antiquities, by Dr. Ian Jenkins
- "A zealous and liberal patronage of its contemporary professors": Thomas Hope's modern sculptures, by Prof. David Bindman
- The Collection of Contemporary Pictures of Thomas Hope, by Jeannie Chapel
- The Collections of Old Masters of John Hope and his sons Thomas Hope and Henry Philip Hope, by Jeannie Chapel
- The Hope Family in London: Collecting and Patronage, by Daniella Ben-Arie
- The Reform of Taste in the Country: The Deepdene, by David Watkin
- The Tragic Mask of Anastasius/ Selim: A New Introduction to Hope's Novel, by Jerry Nolan
- Hope's Philosophical Excursus, by Prof. Roger Scruton
- The Afterlife of Hope, by David Watkin and Frances Collard
- Bibliography, by Daniella Ben Arie
The catalogue is available here.
Place and publisher: Yale University Press
Date of publication: 2008
Number of pages: 520
This week’s book(s):
Description: From the publishers:
In the second half of the nineteenth century, state and municipal governments oversaw the explosive growth of public parks, squares, and gardens throughout the city of Paris. In Planning the Greenspaces of Nineteenth-Century Paris, Richard S. Hopkins skillfully weaves together social and cultural history to argue that the expansion of these greenspaces served as more than simple urban embellishment. Rather, they provided an essential component of the Second Empire's efforts to transform and revitalize France's capital city, and their development continued well into the Third Republic.
Hopkins brings a new dimension to the study of nineteenth-century Parisian urbanism by considering the parks and squares of Paris from multiple perspectives: the reformers who advocated for them, the planners who constructed them, the workers who maintained them, and the neighborhood residents who used them. As public areas over which private citizens felt a high degree of ownership, these spaces offered a unique opportunity for collaboration between city officials and residents. Hopkins examines the national and municipal goals for the greenspaces, their intended contributions to public health, and the roles of park service employees and neighborhood groups in their ongoing centrality to Parisian life.
Hopkins's study moves deftly from the aspirations of the political authorities to the ways in which new public spaces contributed to community-building and neighborhood identity. Drawing on extensive archival research, he depicts a greenspace design and development process that illustrates the dynamic relationship between citizens and city.
Place and publisher: Louisiana State University Press
Date of publication: 2015
Number of pages: 240
Description: At the beginning of the seventeenth century, Paris was known for isolated monuments but had not yet put its brand on urban space. Like other European cities, it was still emerging from its medieval past. But in a mere century Paris would be transformed into the modern and mythic city we know today.
Though most people associate the signature characteristics of Paris with the public works of the nineteenth century, Joan DeJean demonstrates that the Parisian model for urban space was in fact invented two centuries earlier, when the first complete design for the French capital was drawn up and implemented. As a result, Paris saw many changes. It became the first city to tear down its fortifications, inviting people in rather than keeping them out. Parisian urban planning showcased new kinds of streets, including the original boulevard, as well as public parks and the earliest sidewalks and bridges without houses. Venues opened for urban entertainment of all kinds, from opera and ballet to a pastime invented in Paris, recreational shopping. Parisians enjoyed the earliest public transportation and street lighting, and Paris became Europe's first great walking city.
A century of planned development made Paris both beautiful and exciting. It gave people reasons to be out in public as never before and as nowhere else. And it gave Paris its modern identity as a place that people dreamed of seeing. By 1700, Paris had become the capital that would revolutionize our conception of the city and of urban life.
Place and publisher: Bloomsbury USA
Date of publication: 2014
Number of pages: 320
Description: Paris: Les Boulevards (Facsimile) texts (in English) by Pamela Golbin, illustrations by Charles Franck
From the publishers:
Pulled from the shelf of a rare-book store by collector Neale M. Albert, Paris: Les Boulevards is a true gem that was forgotten for well over a century but will now enchant readers once again in this charming facsimile edition. Paris's romantic architecture and vibrant street culture make it one of the most enjoyable cities in the world to stroll and people watch in. This charming little illustrated volume by Charles Franck captures just that through delicately rendered Victorian-era illustrations of panoramic cityscapes of the most gorgeous Parisian boulevards. Complete with horse buggies in the streets, women in society hats, and men in coattails, Paris: Les Boulevards highlights a nostalgic era in both fashion and architecture. To further add to the charm, this volume honors its original unique binding with eleven gatefolds: each page folds out to six panels displaying the whole of the famous promenades at once. With pages including boulevard des Italiens, avenue de l'Opéra, and boulevard Montmartre, Parisians and tourists alike will savor Franck's beautiful and meticulous re-creations of the city's most important streets and their buildings. Added to the original book are thoughtful texts on each panel and an introduction by author and curator, Pamela Golbin. Each panoramic image is brought into historical context by Golbin with short anecdotes and musings on famous addresses and landmarks that may or may not still exist. The original book can only be found in one other library in the world, so little is known about the original publication date or the author, adding further captivation to this volume. Paris remains one of the most romantic and dreamy cities in the world, and for this Paris: Les Boulevards will be perfect for those of all ages smitten with the city's charms.
About the Author and illustrator:
Pamela Golbin is the Chief curator of Fashion and Textiles at the Museé des Arts Décoratifs in Paris and the author of Dries Van Noten, Louis Vuitton/Marc Jacobs, Madeleine Vionnet and Valentino. Charles Franck is an illustrator who presumably lived in France during the late 19th century.
Place and publisher:
Date of publication: 2015
Number of pages: 8 (fold-out)
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