In pictures : 1035
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In picturesPrince Eugène viceroy of ItalyThis painting is very similar to the work Napoléon Ier roi d’Italie by the same painter.
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In picturesBust of prince EugèneRediscover this work in the exhibition Eugène de Beauharnais.
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In picturesH.I.H the princess Auguste-Amélie of Bavaria Vice-Reine of ItalyThis engraving was made after a drawing by Jean-Baptiste Bosio (1764-1827). Rediscover this work in the exhibition Eugène de Beauharnais.
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In picturesSnuff boxThis snuff box has a central cameo decoration representing in right profile the viceroy Eugène de Beauharnais and his wife Auguste-Amélie. Rediscover this work in the exhibition Eugène de Beauharnais.
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In picturesPrince Eugène’s shaving standRediscover this work in the exhibition Eugène de Beauharnais.
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In picturesThe first three children of Prince Eugène as puttiThis painting represents Eugène de Beauharnais' three eldest children, Joséphine, Eugénie and Auguste born in 1807, 1808 and 1810.Rediscover this picture in the exhibition Eugène de Beauharnais.
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In picturesEugénie de Leuchtenberg, princesse de Hohenzellern-HechingenRediscover this picture in the exhibition Eugène de Beauharnais.
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In picturesWoman in whiteThis painting attributed to Bossi is thought to be a study for a full-length portrait of Auguste-Amélie, the vice-reine of Italy, by Appiani. Bossi, secretary of the Académie des beaux-arts and one of the principal founders of the Pinacoteca della Brera between 1801 and 1806, winner of the concorso della Riconoscenza of 1802, was put […]
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In picturesAt Malmaison, the empress Josephine receives the emperor AlexanderDuring the Second Empire, Hector Viger, pupil of amongst others Drolling and de Delaroche, made a series of paintings relating to the history of the imperial family. Napoleon III had given him permission to work in the Château de Malmaison in 1863. This scene is set in the Salon de compagnie. Rediscover this work in […]
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In picturesVeduta della piazza del Duomo col Palazzo Reale in Milano(View of the piazza del Duomo with the Palazzo Reale in Milan)This etching was made after Gasparo Galliari(1760-1818) and Jean-Baptiste Bosio (1764-1827). Built in brick at the end of the Gothic period, the Duomo in Milan was (apart from the façade) faced entirely in marble. In 1805, Napoleon decided that the work should be completed and commissioned C. Amati to direct the project. Preserving to a […]